Architect Ludwig Mies van der Rohe adopted the motto “Less is more” to describe his aesthetic tactic of arranging the numerous necessary components of a building to create an impression of extreme simplicity by enlisting every element and detail to serve multiple visual and functional purposes (for example, designing a floor to also serve as the radiator, or a massive fireplace to also house the bathroom). Designer Buckminster Fuller adopted the engineer’s goal of “Doing more with less”, but his concerns were oriented towards technology and engineering rather than aesthetics. A similar sentiment was industrial designer Dieter Rams‘ motto, “Less but better” adapted from Mies. The structure uses relatively simple elegant designs; ornamentations are good rather than many. Lighting, using the basic geometric shapes as outlines, using only a single shape or a small number of like shapes for components for design unity, and using tasteful non-fussy bright color combinations, (usually natural textures and colors) and clean and fine finishes also influence a structure’s beauty. Sometimes using the beauty of natural patterns on stone cladding and real wood encapsulated within ordered simplified structures along with real metal produces a simplified but prestigious architecture and interior design. Color brightness balance and contrast between surface colors can improve visual aesthetics. The structure would usually have industrial and space age style utilities (lamps, stoves, stairs, technology, etc.) neat and straight components (like walls or stairs) that appear to be machined with equipment, flat or nearly flat roofs, pleasing negative spaces, and large windows to let in much sunlight.
Minimalism and science fiction may have contributed to the late twentieth century futuristic architecture design and modern home decor. Modern minimalistic home architecture probably led to the popularity of the open plan kitchen and living room style by removing unnecessary internal walls.